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Sunday, October 11, 2026
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Advocacy Group Asserts to Have Extracted Millions of Audio Files from the Streaming Giant

An activist organization has stated to have harvested millions of songs from Spotify and is preparing to publish them online.

Possible Boost for AI Training

Observers noted the apparent data breach could aid artificial intelligence firms looking for material to develop their technology.

A group called Anna’s Archive reported it had scraped 86 million audio tracks from the platform and 256 million entries of metadata such as performer and album names. The company, which carries more than 100 million tracks, confirmed that the leak did not represent its full inventory.

“We have identified and disabled the nefarious user accounts that were involved in unlawful scraping,” said a company spokesperson.

The Swedish service, which has more than 700 million users worldwide, further explained that an inquiry into unauthorized access identified a third party collected public metadata and employed questionable tactics to circumvent DRM protections.

Group's Stated Goal and Worries

Spotify does not think the music taken by Anna’s Archive has been made public yet. Anna’s Archive, which is known for offering links to copyright-infringing books, wrote in a blog it wanted to create a ‘historical repository’ for music.

The group claimed the music files represented 99.6% of all music streamed to by its listeners and would be distributed via ‘peer-to-peer networks’, a means of sharing large digital files online.

“Naturally the service doesn’t have all the music in the world, but it’s a great beginning,” said Anna’s Archive, which frames its purpose as “safeguarding humanity’s knowledge and heritage”.

AI Training and Intellectual Property Battleground

A composer and campaigner for defending artists’ copyright, said the leaked music would probably be utilized for training artificial intelligence systems.

“Training on pirated data is unfortunately common in the AI industry, so this accessed music is highly likely to end up instructing AI models,” he stated.

The group's website makes references to LibGen, a vast online repository of copyrighted books that has reportedly been leveraged by Meta to train its systems.

The co-founder of an AI startup wrote on the professional network that individuals of the public could in principle “build their own private free equivalent of Spotify”. He added it could also allow tech companies to “train on modern music at scale”.

Copyright has emerged as a key issue between creatives, writers and content creators on one side and tech giants on the other.

Policy Proposals and Reactions

In the UK, artists and writers have protested against a government proposal to allow AI companies utilize protected work without permission unless the owner opts out. Almost every participant to a government call for evidence on the idea has supported artists’ apprehensions.

The secretary of state for science, research and development informed parliament this month there was “little consensus” on the issue, noting that ministers would “use the time to get this correct”. The administration has pledged to make regulatory plans on AI and copyright by March 2025.

The writer

Michael Smith

Lena Vance is a tech journalist and market analyst with over a decade of experience covering emerging technologies and consumer electronics.

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